April 23, 2003
Botstein: Bard center called for 'architect-artist'
By Rebecca Rothbaum
Poughkeepsie Journal
ANNANDALE -- When Bard College was choosing an architect to design
its new performing arts center, one name emerged from the rest: Frank
Gehry, the 74-year-old Californian whose revolutionary buildings shimmer,
shock and sometimes even appear to sway.
''We wanted to find the greatest architect-artist,'' said Leon Botstein,
president of Bard. ''Frank Gehry is an architect-artist. He is spontaneous,
imaginative, curious and whimsical.''
For Botstein, who is the conductor of the American Symphony Orchestra
and the driving force behind the Richard B. Fisher Center project, the
decision to hire Gehry to create a landmark of a theater was symbolic.
The message, in Botstein's words, is: ''We have made the arts into an
integral part of the undergraduate studies. It has an equal place here
-- it's not a second-class citizen.''
It was also practical. Bard's theater burned down in the early 1970s,
and the school struggled over the years to raise enough money to replace
it. Dance and theater majors at the 1,300-student college, which was founded
in 1860 in association with the Episcopal Church, made do with cramped
studios and makeshift theaters. The theater department, for example, has
been mounting performances in a converted scene shop.
Botstein and the chairs of the theater and dance programs, Joanne Akalaitis
and Jean Churchill, worked closely with Gehry to ensure that the new center
meets the school's needs, including ample rehearsal and performance space.
The result is a multi-purpose building that can accommodate everything
from chamber music to opera.
''The center provides a much higher standard of living,'' said theater
chair Akalaitis, who will direct a new performance of Racine's ''Phedre''
for the center's opening weekend Saturday and Sunday. ''Besides, being
in a Frank Gehry building inspires one.''
Students anxious to use space
Brian Maloney, a junior dance and theater major, said he and his peers
had been anxiously waiting for the center's opening.
''We do well with what we have,'' he said, ''but this is a real performance
space.''
As much as the Fisher center is a facility for the college, it also a
public one. It is to be the home of the newly-created SummerScape, which
expands on the successful and critically acclaimed Bard Music Festival
and will offer a mix of opera, theater, dance and music.
And Bard hopes the center will attract performances -- and patrons --
throughout the year, functioning as a kind of upstate Brooklyn Academy
of Arts, with a varied and often avant-garde program featuring world-class
artists. Many will likely come just to see the building, and no
one at Bard is complaining.
Relevant Web link: More coverage of the Fisher Center for
Performing Arts is available at http://www.poughkeepsiejournal.com/projects/bard_center
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